“The Pack Is Back” is a lively, upbeat CD with a crisp sound that will keep you engaged throughout. It is clear from the outset that there is tremendous synergy between Kashiwa, Cole, and Waters, which is reflected in the music which they collectively penned.

You’ll enjoy there funky smooth style that keeps you locked into the groove. The CD kicks off with the uptempo beats of “Wanna Get Closer”, which sets the pace for “Can’t Help Myself”, “Smooth As Silk”, and the rockin’ “Are You Ready?”. The Sax Pack gives you a moment to catch your breath when you sway to the mid-tempo “All At Once”, and the gentle flow of “All That I Am”.

“The Pack Is Back”! Upon the first listen you will forever be a fan of The Sax Pack

Euge has settled into a soulful mid-tempo groove on what many of his followers believe is his best work to date. “As You Like It”, “Say My Name”, “On Your Knees”, and the title track “Sunday Morning”, are a few of the standouts.

“Yes”, is a nice vocal track featuring Dax Reynosa, while “Tenderly” is a romantic mood setter.

“Sunday Morning”, the new CD from Euge Groove is the perfect listening experience for any day of the week.

On “First Love’, Everette, known to many through his many Smooth Jazz albums, will take his audience on an excursion into the more traditional contemporary jazz genre. The project kicks off with “The Council Of Nicea”, a straight ahead leaning piece that includes a tinge of Latin rhythms.

If you like your Jazz on the edgy, funky side, you’ll enjoy “Departure”, while “Texas Groove” and “Soul Fries” gives you funk with a southern backbeat. For those of us who are a bit laid-back, Everette explores the gentler side of Jazz on “Central Park West”, “Before You Leave” and “Blossom”.

On “First Love”, the listener experiences the music that has helped shaped Everette Harp as a musician. What was old, is new again..

“Dream Life” is Fingerprints’ latest CD, released on the South Memphis Music Label. It’s a smooth 12 song collection that you’ll enjoy any time of the day or night. “Acoustic Soul”, “What Were You Thinking”, and the title track “Dream Life”, all have that cool groove will have your foot tapping and head bopping to the beat. “I Am A Man” is a jazzy southern soul vocal track that leaves you craving more.

Fingerprints demonstrates their diversity on the laid-back tracks “Tell Me A Bedtime Story”, “Lady Bird”, and a rendition of “For You I Will”, made popular by R&B songstress Monica.

Discover the “Dream Life”.. Smooth Jazz & Soul from the Fingerprints Band

For more information about the group, visit their website at: www.fingerprintsband.com

On June 17th, Peak Records will release Mr. Downing’s 14th album, appropriately entitled “Classique”. We’re blessed with a 10 song collection of tantalizing songs of love and relationships. Will’s influence is felt throughout as he wrote, and arranged many of the songs, and produced the project with friend Rex Rideout.

“Something Special”, “More Time (Tic Toc)”, and “Love Suggestions” have that easy going groove that will provide the perfect soundtrack for a breezy summer afternoon/evening. It wouldn’t be a Will Downing album without a few powerful romantic ballads. “I Won’t Stop”, and “Let’s Make It Now” are guaranteed to fan the flames of love. You’ll also appreciate Will’s emotional rendition of The Originals’ “Baby I’m For Real”, which features the vocal styling of Phil Perry.

If you enjoy smooth Soulful R&B, then Will Downing’s “Classique” will be a welcomed addition to your music library.

Visit the Concord Music website for more information on Will Downing

Getting loose since 1995, Stuart Wade and the Down To The Bone crew defy us to stand still while their musical gumbo is cooking. If you’re ready to energize your summer listening, slide the CD into the player, or load the IPod, and be greeted by the hard-hitting title track “Future Boogie”. The formula remains the same. Piano + Horns + Funk + a few vocals = Relentless Rhythms. The instrumental trance continues on “Gotcha!”, “We’ve Always Got The Music”, and “In The Pocket”.

Joining DTTB on two tracks is the lovely Hil St Soul, who adds a bit of vocal spice to the mix on “Should’ve Been You” and “The Brighter Side”. Legendary Jazz Fusion trailblazer Roy Ayers teams up with the group for the supercharged jam “Good To Me”.

Listen to “Should’ve Been You”, featuring Hil St Soul

When you need a little something to set a spirited pace for your day, embrace “Future Boogie”, brought to you by Down To The Bone

Visit www.downtothebone.com for more information about the group

I consider Norman one of the trailblazers throughout the jazz fusion era, which merged R&B, and the jazz music world. His ability to smoothly blend the soulful rhythms and match them with talented musicians and vocalists was uncanny. His music helped turn a lot of young folk like me into jazz fans, while getting the jazz heads to rock to the soulful downbeats.

On “Star Power”, Mr. Connors assembles a talented cast of veterans and newcomers, which leads to an enjoyable array of collaborations. The CD starts up with the jumpin’ beats of “Used To Be”, featuring Christopher Williams on vocals and Bobby Lyle on keyboards. Smooth crooner Howard Hewitt teams up with Antoinette on the lovely slow jam “Where Do We Go From Here”. You’ll also enjoy the soothing vocals of Danny Boy on “You Take My Breath Away”, and the emotional performance of “I Waited All My Life For You”, by Ms. Juanita Daley. Just when you think you heard it all, Peabo Bryson emerges with his fine rendition of the classic “You Are My Starship”.

As always, Norman has some tracks for the jazz lover in you. The title track “Star Power”, lead by Kirk Wilson on keyboards, and “Shades Of Brown” featuring Norman & Michael Brown, along with “Stormin’ Norman” showcases the essence of the Starship Orchestra instrumental sound. .

“Star Power”, the latest project from Norman Connors is a must have. It’s Jazz.. It’s R&B.. It’s funky, yet it’s smooth. As my longtime friend likes to say, “It’s the best of all possible worlds!”

~Craig Chapman

PRESS RELEASE

Multi-Platinum Producer Extraordinaire and Multi-Instrumentalist Norman Connors Pulls Out all the Stops on Star Power

Connors’ Shanachie Debut Joins Together Some of R&B and Jazz’s Brightest Stars Including Peabo Bryson, Howard Hewitt, Christopher Williams, Marion Meadows, Bobby Lyle, Ray Parker Jr., Norman Brown & Others

For Norman Connors music was a matter of destiny, not choice. It is this kismet that allowed the multi-faceted and dynamic musician at the tender age of 16 to perform alongside legendary jazz saxophonist John Coltrane and travel to NY with nothing but his drum sticks and $20 in his pocket, only to end up landing a full scholarship to the prestigious Juilliard School of Music. Destined to leave his indelible imprint on the music scene, Norman Connors would go on to discover such revered vocalists as Phyllis Hyman, Angela Bofill, Dee Dee Bridgewater and Jean Carne, produce a track for the iconic Stevie Wonder and create one of R&B’s greatest ‘Quiet Storm’ anthems with Michael Henderson’s, “You Are My Starship.” This 1976 chart-topping single, that has been sampled by everyone from LL Cool J to Snoop Dogg, went on to spawn an entire genre of music fusing the worlds of jazz and R&B. Never one to sit still, Norman Connors is at it again with a new project that is destined to further endear him to critics and fans alike as one of music’s greatest treasures. Star Power, the multi platinum-selling producer’s Shanachie debut and first recording in seven years (due out on February 24, 2009) is a momentous occasion that joins Connors with some of his dear friends and some new ones including vocalists Peabo Bryson, Howard Hewitt and Christopher Williams, bassist (and vocalist) Michael Henderson, saxophonist Marion Meadows, keyboardists Herman Jackson and Bobby Lyle and guitarists Ray Parker Jr., Norman Brown and Paul Jackson, Jr. among others.

“Throughout my career, there have been certain singers that I have always wanted to work with and on this new project I get to do just that,” Connors relates. His affinity for singers goes back to his youth. “I used to take my drum lessons on Saturday and there was a theatre called the Earle Theatre in Philly. They used to show a Tarzan movie and after the movie they would have people like Duke Ellington and Count Basie perform and I would make sure to be there, right in the front row. I was like a kid in a toy shop. Right after the band played the singer would come out in a gown. Hearing people like Sarah and Ella at a young age made me fall in love with great voices.”

The opening track on Star Power, “Used to Be,” features keyboardist Bobby Lyle and vocalist Christopher Williams, known for the R&B hit “I’m Dreamin’.” “This is the first time Christopher Williams and I have ever collaborated with one another. I had heard about him and I had seen him in the film New Jack City. His singing reminds me of a young Teddy Pendergrass. When I got this song, he came to mind. I felt like Christopher would be the best person to pull it off.” Lyle and Connors have worked together for years and Connors considers him a vital part of any recording he does.

Vocalists Howard Hewitt and Antoinette Manganas join forces for Manganas’ sultry ballad “Where Do We Go From Here,” which Connors cites as one of his favorites on the album.

Antoinette is also featured on Sade’s classic “The Sweetest Taboo and the Bacharach/David hit “Walk on By.” “Howard and Antoinette sound great together,” says Connors. “I have always wanted to work with Howard Hewitt, who I have loved since his Shalamar days. His voice is magnificent.”

In 1976, Norman Connors and Michael Henderson (long time bassist with Miles Davis) got together to create what is now one of R&B’s most covered and highly sampled ‘Quiet Storm’ classics, “You Are My Starship.” The duo returns to this gem on Star Power and enlists the help of Grammy winning singer Peabo Bryson. Norman Connors says he can’t play a show without someone requesting this song. He said he knew it would be a hit from the very beginning. “Michael had the sound, right concept and flow, and there was something mystical about the song. I was the only one who thought it was a hit!” Grammy-winning vocalist Peabo Bryson shines on Star Power’s new version of “You are My Starship.” Norman Connors says, “I have worked with Peabo a number of times in concert and on recordings and he is one of my all-time favorite singers along with Donnie Hathaway and Marvin Gaye.”

Through the years, Connors has had a keen ability to discover and nurture new talent. He has been instrumental in so many musicians’ careers including Phyllis Hyman, Angela Bofill, Michael Henderson, Glenn Jones, Norman Brown and countless others. “I consider myself not just an artist and musician but I am an ambassador of the music. A lot of people call me up and I give them advice,” shares Connors. On Star Power, Norman is proud to feature an up-and-coming singer that he says will be the next big thing. His name is Danny Boy. “He has such talent that he is sure to blow in the next year. He is incredible. He is my ace in the hole at my live shows. He has a beautiful spirit and can sing anything. He’s like a young Peabo Bryson and Donnie Hathaway all in one. Has great range and can dance. He is all over the stage and sings his heart out!” declares Connors. Danny Boy is featured on the Stevie Crissette and Max Frank song “You Take My Breath Away.”

Star Power also features several memorable instrumental tracks including a funky version of Michael Jackson’s 1979 hit “Rock With You” featuring guitarist Ray Parker, Jr., who has garnered scores of hits including “Ghostbusters.” “I have known Ray Parker Jr. since he was fresh out of high school. We were label mates on Arista years ago and I always admired his way of singing simple things and being able to take them and make them hits.” Herman Jackson, who is the keyboardist on American Idol and who has served as music director for both Aretha Franklin and Jessica Simpson, penned the cool and breezy “Stormin’ Norman” for Connors who says he does not do a record unless he calls Herman. Jackson also joins guitarist Norman Brown on “Shades of Brown,” which he also composed. “I love Norman Brown,” says Connors, who produced Brown’s first single “Things Between Us,” which hit #1 on the charts. “He is one of my favorite guitarists along with George Benson. I call him one of my hero children. I usually don’t do an album without him either.”

Born in the City of Brotherly Love, Norman Connors has the luxury of being immersed in the City’s rich jazz and R&B tradition. When he first started out, his dream was to be John Coltrane’s drummer. As fate would have it he performed with Trane at the famed Peps in Philly one night when Elvin Jones got arrested. Connors ended up playing three nights in a row! Connors’ early jazz aspirations did not keep him from following many of the great R&B groups of the day. “I have always loved the Delfonics and Stylistics,” says Norman. “Deep down inside I always wanted to be a Delfonic. When we used to play jazz gigs at places like the Sugar Shack in Boston and I had a 25-minute break, I would go check out the Delfonics who might be up the block performing. I always told myself that if I ever got a record deal I was going to include some of this great R&B tradition in my music. My early albums were more fusion but as I got into my fourth and fifth albums I started bringing in that R&B element.”

Norman Connors illustrious resume includes work with saxophonists Pharoah Sanders, Jackie McLean, Archie Shepp and Sam Rivers and organist Jack McDuff along with a list of other jazz luminaries. He has also produced for everyone from Angela Bofill, Phyllis Hyman, Peabo Byrson and Howard Hewitt to Lonnie Liston Smith and Bobby Lyle. Connors signed with Buddah’s Cobblestone record label in 1972 and recorded a string of critically acclaimed albums that reached multi-platinum selling status. Among Connors recordings during this period are Dance of Magic, which featured the all-star lineup of Herbie Hancock (who appears on Norman’s first five albums), Stanley Clarke, Ron Carter, Hubert Laws, Gary Bartz, Carlos Garnett and Dee Dee Bridgewater. Connors also made the recordings Dark of Light, Love from the Sun, Slewfoot and Saturday Night Special, featuring the number 10 soul hit “Valentine Love.” In 1976 Connors struck gold with the hit “You Are My Starship,” from the album of the same title, which also included the chart-topping Thom Bell and Linda Creed classic “Betcha By Golly Wow” featuring Phyllis Hyman. In the late 70s Connors was courted by Clive Davis who signed him to Arista Records. His debut for the label, This Is Your Life made a splash with the title track.

He also enjoyed success with his album Invitation, which featured his celebrated Starship Orchestra that included Bobby Lyle, Onaje Allan Gumbs, Marion Meadows and Jean Carne among others. He recorded four albums for Aritsta before signing with Capitol in the late 80s and then Motown’s jazz label, Mojazz, in the 90s.

Norman Connors is still shooting for the stars and his musical universe just gets better and better with each passing year. Star Power affirms Norman Connors presence as an incredible musical force who knows how to make music for the heart, mind and soul.

“This record feels so good,” exclaims Norman. “All of these guys who join me on the album are my boys. We have experienced a lot together both personally and musically. It’s like one big fraternity.” It is this brotherhood heard on Star Power that makes for one thoroughly enjoyable recording and cohesive set of music that never lets up from beginning to end.

For more information please contact Monifa Brown (973) 579-7763 EXT 26